The term Sub Rosa denotes that all meetings and activities taking place "under the Rose" are to remain secret and confidential. This has been a long standing tradition across centuries and societies. It is said that even some confessionals had roses painted on their ceilings to assure confidentiality between the parishioner and the priest.
The vow of secrecy is focused on again and again in the Neophyte Initiation of the Golden Dawn, even to the point of saying "thy blood may be poured out and thy body broken" if the vow of secrecy is compromised. The crowning achievement of the Golden Dawn system, and of the aspiring Neophyte him/herself, is then the admittance to the Inner Order, or the Roseae Rubeae et Aureae Crucis, through the Adeptus Minor Initiation. This initiation takes place in a seven-sided chamber often referred to as the Vault of the Adepti or the Tomb of the founder of the Rosicrucians, Christian Rosenkreutz. So would it be any wonder that, on the ceiling of the Vault itself, is painted a large, brilliant White Rose?
I have seen a few Vaults in which the Rose on the ceiling is painted as per the petals on the Rose Cross of the Adept. Although aesthetically pleasing, I find this to be technically incorrect. In various Inner Order ceremonies, it is said that "The Heaven is above and the earth is beneath, and between the Light and Darkness the Colours vibrate." It is clear to me that the ceiling is the undifferentiated Light, the floor the Darkness, and the colors vibrate on the Walls of the Vault, and everything that exists in between. Furthermore, based on the diagram below, if the petals of the Rose were to be colored in, they would at least show some grayscale shading, and they do not.
The diagram below is the common image we think of when laying out the ceiling of the Vault:
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| Diagram 77: The Ceiling of the Vault from Crowley's The Equinox |
Now take a look at the following diagram, showing the Chief Adept in the Pastos:
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| Second Entry: 5=6 Adeptus Minor Initiation |
This is actually relatively easy to confirm, by the second layer of petals in the Rose, which are seven in number and are attributed to the planets, just like the walls are. So the Peh petal, which is attributed to Mars, should be pointed toward the Mars wall, the Resh petal toward the Sun wall, etc. (So if you're looking up at the ceiling of the Vault wall and the Peh petal is on your upper left, then it is pointing towards the Jupiter wall and your White Rose is technically reversed.)
The proper arrangement actually lines up a number of different elements within the Vault as well. The Heh petal in the East, attributed to Aries and Fire, should be lined up right above the disc of the Lion, the Fire Kerub, on the Altar. Just so, the Ayin petal, attributed to Capricorn and Earth, will be above the disc of the Bull, the Earth Kerub, the Lamed petal, Libra and Air, above the Man, and the Cheth petal, Cancer and Water, above the Eagle. Lastly, the Adept lying in the Vault, will align his multi-colored Rose Cross with the White Rose on the ceiling, petal per petal in columnar fashion. This makes perfect sense, if you consider the petals as rays of Light, descending vertically in the Vault, passing through the volume where the spectrum of colors vibrate, to manifest upon the Rose Cross of the Adept, whom while laying in the Pastos, is still above the floor, where the black Darkness reigns.
Tonight, I received the following email from Soror MKR. She performed the Eadem Mutata Resurgo ritual to very positive effects. Beyond that, I will let the letter speak for itself:
Greetings Eric,
I have had the opportunity of performing your motto-changing ritual as published in Hermetic Virtues. I didn't want to change my current motto so much as abrogate mottos I have previously had in other Golden Dawn orders. I really just wanted to clean the slate and go on with just the energies of my current motto. It's not that any of my older mottos did not fit me at the time I had them, but for each motto change, they represented me operating from a new place and time. Those places and times were long past, but there was still a feeling of them lingering on in subtle ways.
I have to say that the performance of the ritual was a wonderful experience, in and of itself. The energies were intense, there were obvious temperature changes in the air at various points, and a most discernible feeling of a weight lifted as I abrogated the old mottos (three of them). But the interesting thing is that I've seen some changes in the way things are happening in and around me since I completed the ritual. There have been subtle and not-so-subtle serendipitous events related to my current motto and what it means to me. My current motto is related to truth, and I have had a variety of interesting truths revealed to me, both internally and externally, both in daily life and realizations and in dreams. I've also felt more balanced and been much more productive, both of which I had been working on and having some difficulties with, while after the ritual, it seems to be flowing more naturally and coming more easily.
I'm fully convinced this was all the result of the ritual. I'm very much looking forward to see where my motto takes me from here. Should I need to change my motto again at some future time, I plan to use your ritual again at that time. Thank you!
Soror MKR
This ritual can be found in the latest version of Hermetic Virtues magazine. If you have also performed this ritual, I would love to hear your results as well!
